Goethe and the Enlightenment

MuseumPermanent exhibitionGoethe and the Enlightenment

The Enlightenment features prominently in the collection and is in sharp contrast with the small cabinet devoted to the 16th century. With the revival of the occult sciences, astrology, alchemy, magic and the terrible Thirty Years’ War (1618-1648), which followed the wars of religion (1562-1593), the 16th century marked the transition from the medieval world to the modern age.

The most noteworthy works of the Enlightenment are:

  • the 36 volumes of Natural History by Buffon (1749-1789)
  • the 28 volumes the Encyclopédie by Diderot and d’Alembert (1751-1757)
  • the portable Philosophical Dictionary by Voltaire (1765)
  • first autograph version of Nathan the Wise by Lessing dated 1778. It extols the virtues of tolerance embodied in the ideals of the Enlightenment
  • Kant’s critical philosophy, Critique of Pure Reason (1781) and What is Enlightenment? (1793 edition).

The French Revolution is represented with works by its spiritual fathers Rousseau (Discourse on the Origins of Inequality, The Social Contract, in Complete Works, 1774-1783) and Beaumarchais (The Marriage of Figaro, 1785).

Other manuscripts pertinent to the Revolution are presented in such a way as to highlight the contrasts among them:

  • a handwritten letter describing the horrific events of 10 August when the insurgents at The Tuileries massacred the defenceless Swiss Guards. The letter is dated 13 August 1792 and was written by a citizen called Michel to his brother-in-law
  • a typewritten manuscript of Marie-Antoinette by Stefan Zweig with handwritten corrections
  • a pastel by Liotard representing the Archduke Joseph, Marie-Antoinette’s brother
  • the Declaration of the Rights of Man and of the Citizen
  • the 2010 edition of the Charter of Fundamental Rights of the European Union – replacing Montesquieu’s The Spirit of the Laws of 1748 displayed previously

Martin Bodmer placed Goethe and the spirit of Weimar at the heart of his ‘spiritual edifice’. Two cabinets are devoted to Goethe’s works. The first, shared with Mozart, is dedicated to two great myths: Faust and Don Juan. There are many texts around the Faust myth:

  • Volksbuch of 1587
  • a first edition of 1790
  • Stafper’s translation of 1828, which includes three original drawings and 18 lithographs by Delacroix
  • 25 autograph fragments of the second part of Faust (pre-1832) contained in the ‘Phorkyas’ papers
  • works by Marlowe and Calderon.

Don Juan is present in Molière’s Festin de Pierre (Feast of the Statue), and the original score of Don Giovanni of 1801.

The second cabinet contains original works by Schiller (Demetrius) and Goethe who, with Wieland and Herder, are the great authors of German classicism. The manuscripts are exhibited under a painting of Goethe as a child with his sister Cornelia (Avril, Cycle des saisons). Goethe is also present in the display of 18th-century novels and short stories (see his 1805 translation of the Neveu de Rameau by Diderot), and the display on Napoleon (Werther).

>  Ancient science, modern science

Goethe, Faust

Goethe, Faust

Goethe, Feuillets

Goethe, folio

Mozart

Mozart

Mozart (détail)

Mozart (close-up)

Molière, Le festin de Pierre

Molière, Le festin de Pierre